Vol. 9 No. 2

Accumulation Lindar Scanning
Editor's Note
Creation
You May Call This Armor Foolish
Sunflowers Address the Rain
Awakening
Light show
Cougar Puberty
Moonbeing
The Crone Hunts
Snake in the Dog House
In Lieu of a Travel Agent
Ambrosia: Why I Almost Never Left the Islands
Mossed Roots
A Daughter’s Poem
Daddy, daddy, daddy, wake up! wake up! wake up!
On Reading Dean Young
Boots
Patience
The Forest of a Million Trees Goes Quiet as We Walk
Small Enough for Gnomes
Winter Apples
i envy the family
Effervesce
Hello, Romance
unititled
Portrait of the Young Woman as Artist
Modeling for God
SAILING
Rehearsal
A Villanelle’s Villanelle
Late October
Geophysical Density Contrast
Poetry
color sings across the hillside
I Came for an Existential Crisis and Left with Cinnamon Rolls
Admission
Haleakala Valley-1
Years Together
Blood & Water
Questions I Keep Asking
A Walk
Crimson Expanse
Like a Robot
Lights in Lillies
sex on accident!!!!
Our Mother Has Shit Herself
The Elephant Speaks
Accumulation-Transform
The Man Who Spoke Bird
Dorchester Court
A Recipe Using Quindilla Peppers
How to Greet a Widow
PP18A # 9 copy 5
Body Count
Yes, And...?
The cry of the cicada / Gives us no sign / That presently it will die —Matsuo Basho
Echoes
2263 #1C
Watching Strangers in Love, I think of Saint Rose
Placeholder
Empty Nest
Aubergine, Aubergine
Transitory Space, Cedarvale Ravine, Toronto, Ontario #3, 2022-2025
Interstitium
August Plea
Practicing
Singing Sands
A Manifestation of Dogs
Hummingbird
My Father, Dreaming
Fishing the Creek
The Lone Crow
An Orange Feeling
Cape Cod, 1981
As a Child I’d Sniff Expo Markers in Dad’s Office
Message from My Mother, Long Dead, Sent into the Ether
The Oleaginous Bible
The Paper Lady
Para-Tender
Morphine
What could not be kept
Midseason
In Remembrance
Exegesis in fauna
Make believe
Loose Ends
Persephone on Her Favored Underworld Initiates
Asthma Ghazal
Passengers
How to Read the News
Grace
Fearful Gossip The Masks We Wear

An Orange Feeling

I arrive to an empty driveway and linger on the doorstep to see if someone else pulls up. They don’t. I’m unlucky enough to have arrived first and I berate myself for wanting to arrive on time, though I’m still ten minutes late. I knock and when my colleague, Eileen, answers, I step into her home as the door slams shut behind me.

Eileen, thrilled to play hostess, greets me and shows off her “freshly painted!” orange walls, her alpaca rug. I blink twice but on second glance, the walls are are just as bright.

Eileen’s chatter wanders as I look at her paintings. She does this at work too, speaks so long you have no choice but to listen. After two months, I know how young her ex-husband is, how old she is, how he left with their child in the night. She doesn’t know anything about me. She doesn’t ask. After our first week of working together she walked up to hug me, her head resting briefly on my chest as I froze with discomfort and surprise.

Vomit. That’s what the walls remind me of. They are the precise color of Eileen’s puke after she drank too many mimosas at the Christmas brunch last month. I held her hair, felt like I was ten years younger and back in University. Eileen had gripped my arm, tears speckling her cheeks, and confessed that she still loved her husband.

Eileen rubs her custom dining table and tells me the cost and how handsome the woodworker was and how she’d always wanted a nice dining table but didn’t want to pay for it knowing a child could ruin it, but I’m not listening. I’m fixated on the pile of oranges sitting in a white bowl at the center of the table. One has a hole. Does she see it? Dark as oblivion, round as the sun, it could fit a finger and as I watch, it moves.

Wriggles like a fly caught in a web and as Eileen twirls, Vanna White showing off her basil plant, which is impressive, it’s alive, mine would be dead, an insect crawls out, body of interlocking squares snaking behind. Iridescent wings twitch twice, and it flies.

My gaze sharpens.

Eileen is in front of me, rose lipstick glinting beneath incandescent light. She holds up an orange. “Would you like one?”

I want to refuse her infested orange, but I grab and inspect it. This one is hole-less, complete.

“Thanks,” I say.

It can’t be easy living in a home so full of sudden quiet, sudden space.

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