Vol. 9 No. 2

Accumulation Lindar Scanning
Editor's Note
Creation
You May Call This Armor Foolish
Sunflowers Address the Rain
Awakening
Light show
Cougar Puberty
Moonbeing
The Crone Hunts
Snake in the Dog House
In Lieu of a Travel Agent
Ambrosia: Why I Almost Never Left the Islands
Mossed Roots
A Daughter’s Poem
Daddy, daddy, daddy, wake up! wake up! wake up!
On Reading Dean Young
Boots
Patience
The Forest of a Million Trees Goes Quiet as We Walk
Small Enough for Gnomes
Winter Apples
i envy the family
Effervesce
Hello, Romance
unititled
Portrait of the Young Woman as Artist
Modeling for God
SAILING
Rehearsal
A Villanelle’s Villanelle
Late October
Geophysical Density Contrast
Poetry
color sings across the hillside
I Came for an Existential Crisis and Left with Cinnamon Rolls
Admission
Haleakala Valley-1
Years Together
Blood & Water
Questions I Keep Asking
A Walk
Crimson Expanse
Like a Robot
Lights in Lillies
sex on accident!!!!
Our Mother Has Shit Herself
The Elephant Speaks
Accumulation-Transform
The Man Who Spoke Bird
Dorchester Court
A Recipe Using Quindilla Peppers
How to Greet a Widow
PP18A # 9 copy 5
Body Count
Yes, And...?
The cry of the cicada / Gives us no sign / That presently it will die —Matsuo Basho
Echoes
2263 #1C
Watching Strangers in Love, I think of Saint Rose
Placeholder
Empty Nest
Aubergine, Aubergine
Transitory Space, Cedarvale Ravine, Toronto, Ontario #3, 2022-2025
Interstitium
August Plea
Practicing
Singing Sands
A Manifestation of Dogs
Hummingbird
My Father, Dreaming
Fishing the Creek
The Lone Crow
An Orange Feeling
Cape Cod, 1981
As a Child I’d Sniff Expo Markers in Dad’s Office
Message from My Mother, Long Dead, Sent into the Ether
The Oleaginous Bible
The Paper Lady
Para-Tender
Morphine
What could not be kept
Midseason
In Remembrance
Exegesis in fauna
Make believe
Loose Ends
Persephone on Her Favored Underworld Initiates
Asthma Ghazal
Passengers
How to Read the News
Grace
Fearful Gossip The Masks We Wear

Placeholder

For weeks after we moved
into the new apartment
I pestered you
to fix the sign over my bed,
done in frilly pink and purple script
to look like the page of a fairy tale.

“Kimmy’s Special Place,” it said,
and, if you remember,
I was not Kimmy,
the previous tenant.
A fact I wanted known,
but not the way you did it:
scrawling my name over hers
in teal print
so loudly wrong it trumpeted,
not yours, not home, no happy ending.

I’m sympathetic, really.
You used the paint you had
on hand. You weren’t my father.
You didn’t owe me. Years later,
I can be grateful
for the small things,
like how you only hit my mother
when you thought I was sleeping.

But the way you blanked out Kimmy
was plain lazy. You could draw—
cartoons, animals, faces.
How many times
had I watched you?

Kimmy haunted me. I dreamed
I had stolen her life, her room,
the white colonial furniture
with the squeaky pulls
she left behind when she went
to the suburbs.
No, Kimmy is not an alias
to protect the innocent.
Her real name is lost. I subbed in
something close
to what you called me.

I want to write your name explicitly,
your age, your birthday,
where you went to high school,
the little I retain. Not a threat—
only the urge to decorate
a dim-lit wall.
For now, you’re penciled there

under the names
of your daughters,
who call me older sister
in their sad stories, started where
you left off, abandoned
before they knew their colors
or how to read.

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