Vol. 9 No. 1

Summer 2026

The one who guarded the city from people
Editor's Note
The Great Aria
Zelensky, dead now
House Lessons
Coffee Shop Denizens
Spectral
on Oklahomans
Twilight in Archer City
After Triage
Umolchaniye
Wearing it Well
Ghost of Post Office Past
Unidentified Lying Object
The House That Keeps Us
Ambivalence
Lots Over Motel
Hide and Seek
Ekphrasis for a Painting that Does Not Exist
Drifters
Ready for the Graveyard
The Mystery Guest
Inheritents
When my head slept on the mountain
Dream Girl
I’m still mad at Jesus for breaking Madeleine’s heart
When you taught yourself cartwheels in the backyard
Would They Believe You
(Eunoia)
Big Leaf Parsley as Potted Plant
Abecedarian for Lyuba
TAFKAP the Love Symbol
(Ramé)
Suzanne Valadon Glosses over am Question of Career Preference
Evidence (Glasses)
Feverdream: Accent (1)
Her
The Younger Woman
Nostalgia Tastes Like Boone’s Farm
Feverdream: Accent (2)
The Winter After
Mislaid
Stealing Lipstick
Feverdream: Accent (3)
Dear Blue Eyeshadow
Professional Dyke
here where the wild
Self-Portrait
From "american cyclorama"
My Daughter,
Day Hike in El Capitan
Tribute to Niki de Saint Phalle
Sanctuary
The Mental Load
Skunkwatching
Tribute to Susan Bee
A True Story
El Silencio
Drawing a Map with a Rat Tail Comb
In a Time of War (Four Poems without Words) 1
Twenty-Five
Broadway
Shisa Kankō…Pointing, Calling
In a Time of War (Four Poems without Words) 2
Reasons to Winter Over
Sentimental
Verges
In a Time of War (Four Poems without Words) 3
Eulogy for the Goldfish and Past Dreams
Requiem at Cana
In the next galaxy
In a Time of War (Four Poems without Words) 4
What Happens When
Loose Change
Separation
(Hülya)
The Glove
A Heron Undressing
Now and Later
Cha!
Dear Delphi
I tell the coast forest why I haven’t come back
Record Keeping
Death Row
What Praying is For
The Horse Sun Blinds My Eyes
Innocence Lost

Editor’s Note

Dear Readers,

Yesterday, the first iris bloomed in my garden, and this morning, I find the dwarf irises under the oak trees in my backyard blooming as well. A pair of robins hop across the lawn, pick up dry grasses in their beaks, fly away to the old plum tree to build a nest. The redbud unfurls tender new leaves. The starling greets the day enthusiastically, flutes a melody, whistles and clicks to show off his vocal repertoire. Everywhere green and newness and promise. Spring fills me with deep joy.

In a chaotic, wounded world, joy seems self-indulgent. The onslaught of news makes us question whether we have the right to feel joy when bombs fall in the Middle East, when immigrant families are separated, when wildfires ravage the Southwest. The litany of woes is never-ending, depressing doom loops on repeat, and shouldn’t we sink into despair to signal solidarity?

But I believe in the power of joy in the face of darkness. I believe we have a responsibility to joy. A responsibility to observe and enjoy the beautiful and interesting in the world–despite all the ugliness and heartbreak. (And yes, that’s hard work sometimes.)

As poets, observing is what we do. And then write about it. A thread of noticing runs through the pieces in this edition. In Shisa Kankō…Pointing, Calling, Zary Fekete speaks of “Learning, perhaps, to notice.” The poems in this issue invite us to notice many-colored irises, yellow-rumped warblers, wrens. Observe six-year-olds doing cartwheels in the backyard. Watch skunks. In her poem Skunkwatching, Molly Remer reminds us that “being here to notice is its own kind of power.”

In a world out of control, where it is easy to feel powerless, we can still notice. We can take up, as Annika Nerf writes “a chance to look, to really look.” We can let it ground us and connect us.

I hope that you, dear readers, have a chance to look and notice and find joy today—maybe between the pages of Thimble. Let’s seek out joy as an act of resistance. Thank you for being here,

Agnes Vojta

Share!