Skip to content
SUBSCRIBE

Phyllis Bramson

Phyllis Bramson is a significant painting voice of her generation, and is Professor Emerita in Drawing and Painting at the University of Illinois at Chicago. Her work has been exhibited in key exhibitions and surveys including the Museum of Contemporary Art Chicago, the Art Institute of Chicago, the Smithsonian Institution, and Corcoran Gallery of Art, among many institutions. She has had more than forty solo shows at venues such as New Museum, New York; Fort Wayne Museum of Art; Boulder Art Museum; University of West Virginia Museum, Renaissance Society Museum (mid career survey), the Chicago Cultural Center (10 year survey) and numerous galleries. Bramson has been covered widely and recognized with numerous awards, including grants from the John S. Guggenheim and Rockefeller foundation, and the Anonymous Was A Woman Award. A recipient of three National Endowments, a Senior Fulbright Scholar, Louis Comfort Tiffany Grant, Artadia: the fund for Art and Dialog Jury Award,  Anonymous Was A Woman Award, and selected as one of the Women’s Caucus for Art Lifetime Achievement Awardees for 2014.

Protected: The Bliss of the Picturesque (Romantic Misfits)

Posted on February 7, 2026February 7, 2026

There is no excerpt because this is a protected post.

Posted in Vol. 8 No. 4

Protected: Feminine Mapping (but it’s not her world)

Posted on January 24, 2026February 18, 2026

There is no excerpt because this is a protected post.

Posted in Vol. 8 No. 4

Protected: Painting Partners (painting as a past time)

Posted on January 24, 2026February 18, 2026

There is no excerpt because this is a protected post.

Posted in Vol. 8 No. 4

Protected: Mary Mary Is Quite Contrary, How Does Your Garden Grow?

Posted on January 24, 2026February 18, 2026

There is no excerpt because this is a protected post.

Posted in Vol. 8 No. 4

Protected: Li’l Red on Her Way to Grandma’s House (The Moon Is an Illumination of Human Darkness)

Posted on January 24, 2026February 18, 2026

There is no excerpt because this is a protected post.

Posted in Vol. 8 No. 4

Navigation

  • Home
  • Revista Literaria Guardacabo
  • Current Issue
  • Past Issues
  • Contributors
  • Subscribe
  • Submissions
  • About Us
  • Prizes
  • Shop
  • Thimble Editorial Board
         
  • All content ©2026 Thimble Literary Magazine
  • Contact | Submit Work
  •