An image stutters in the aperture.
I clear my throat. A molasses-like
darkness. An image swims
in the aperture. I reach out to touch it:
a blue-ish white. I stutter in the aperture.
I want to say: love. Instead, I say:
I don’t know. I say instead: Love,
I don’t know. I only see a polished metal,
an inverted image. A toilet paper roll
and a shoebox might have worked
just as well. My image swells
in the aperture. Oh well, who can tell
anything? Anything, I will make do
with anything. Suck the world in
through a tiny hole, project it
onto cardboard. Or press an eye
against glass. Yes, glass. I meant
to say glass, but stammer alas, alas.
A transparent grief shimmers
in the aperture. I clear my throat,
push syllables into the light.
I glimpse my image and mutter:
we look nothing alike.
Camera Obscura as Self-Portrait

Shannon K. Winston is the author of The Worry Dolls (Glass Lyre Press, 2025) and The Girl Who Talked to Paintings (Glass Lyre Press, 2021). Her individual poems have appeared in Bracken, Cider Press Review, the Los Angeles Review, RHINO Poetry, SWWIM Every Day, West Trestle Review, and elsewhere. She lives in Bloomington, IN. Find her here: https://shannonkwinston.com/.